Louis Vuitton is Dino-mite

Nathan Outteridge (on the right) is set to steer the Artemis boat in the Louis Vuitton Cup. (Clive Mason/Getty) Just when Artemis will enter that competition is still up in the air. The team is still building its new wing and getting its second boat ready after the first one was wrecked in the May 9 crash that claimed the life of strategist Andrew “Bart” Simpson. America’s Cup officials recently said they hoped Artemis would enter the Vuitton Cup round-robin against  Luna Rossa Challenge and Emirates Team New Zealand at the end of July. But it’s possible that Artemis will not race at all until the semifinals beginning Aug. 6. The winner of the round-robin can advance directly to the finals; otherwise, the semifinals are the first races that really count.

Nathan Outteridge (on the right) is set to steer the Artemis boat in the Louis Vuitton Cup. (Clive Mason/Getty)

With Fall comes a whole host of fashions and accessories. Louis Vuitton teamed up with sibling fashion duo Jake and Dinos Chapman a.k.a. the Chapman Brothers to go in on the Fall/Winter Accessories collection. Known for their eye-catching and provocative designs, The Chapman Brothers site web brought a new element to the Louis Vuitton brand. The bags and scarves are adorned with a heavily embroidered and colorful pattern, compliments of the Chapmans. The edgy patterns have navy blue and red bases, with owls, vines, flowers, sharp-teethed koalas, and even an eye ball as part of the design. This limited edition collection will be dropping soon at Louis Vuitton stores worldwide.

Chapman Brothers x Louis Vuitton Fall/Winter 2013 Men’s Accessories Collection

LAS VEGAS — A Louis Vuitton-commissioned James Turrell installation, which recently opened at the French luxury brand’s City Center store here, is not only one of the most intimate and unexpected ways to experience the artist’s oeuvre, it may just be the best antidote we’ve found yet to counteract the swirling, light-caused disconnectedness of Sin City chaos. Titled “Akhob,” (a word from Egypt’s Amarna period that means “pure water,” according to a guide), the permanent installation, which opened on the fourth floor of the Louis Vuitton boutique last month, is the largest of Turrell’s “ganzfeld” (light field) installations to date. It consists of two chambers, each with a circular opening, and a pattern of slowly changing light, which repeats every 24 minutes. Viewers are suffused in a shifting palette of vibrant pinks, electric blues and a peculiar shade of orange that makes the circular orb space at the room’s center look like the surface of the sun itself. At times the edges of the two chambers are clearly visible, at other times they bleed into a disorientingly uniform field of color. Although I’m certainly no art critic, and my knowledge of Turrell’s oeuvre prior to “Akhob” consisted of a partial walk-through of his current LACMA retrospective (though in fairness that included being slid, MRI-like, into a metal sphere called “Light Reignfall” where, for about 12 minutes psychedelic kaleidoscope images swirled, eddied and broke like waves over my optical nerves), I can say from personal experience that after a day and a half in Las Vegas, I’ve yet to find a better course correcter than a half-hour stint bathed in the glow of “Akhob.” Pure water indeed.  “Akhob” is the latest of three projects commissioned by Louis Vuitton , including a modular, light-based sculpture called “First Blush, Oct. 2005” that was created for Vuitton’s Champs-Elysées flagship store, and a series of 2006 photographs juxtaposing one of the brand’s iconic wardrobe trunks against the Arizona desert landscape of Turrell’s ongoing Roden Crater project.   Open since May 2, viewing of the installation is free and open to the public, but limited to four people at a time (private parties can have up to six), so reservations must be scheduled in advance.

And now, we have one more—pretty gargantuan—reason to talk about the house. Today, Vuitton revealed that its new window installations will not consist of the brightly hued works of an eccentric or iconic artist (cue Stephen Sprouse and Yayoi Kusama). Instead, the brand has opted for dinosaurs. Seven stores worldwide—including the boutiques on Paris’ Champs Élysées, London’s New Bond Street, and New York’s Fifth Avenue—will get the Jurassic treatment, hosting golden reproductions of prehistoric skeletons in their facades. Velociraptors, Dimetrodons, Stegosauruses, Tyrannosaurus Rexes, and Triceratopses are just some of the species that will inhabit the displays, which were apparently inspired by a trip to the Natural History Museum in Paris’ Les Jardins des Plantes. On view from tomorrow, the beasts seem fairly friendly—mannequins wearing Vuitton’s Pre-Fall ’13 wares are perched peacefully atop the creatures’ backs. —Katharine K.

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